In Time Debris, my recent release for the #SuperPang label, I tried to experiment with this idea. The release is taken from a concert where there was no code projection. My conclusion so far is that taking away the projection could lead to more interesting sound results, even if the experience is less immersive, similar to an #acousmatic concert. This hybridisation of performativity and liveness carried only by sound could be what people in the last years are referring as #postacousmatic