Shchedrin's Misters from Tashkent has a saying that is of direct relevance to our profession as film directors. He writes: "Very often we pass, hear, look, and do not think much about what we pass by, what we hear, what we look at. Most of the time, concreteness strikes our senses more automatically than consciously, and therefore phenomena, questionable to say the least, seem unusual...".

This reasoning of Shchedrin seems to me to be worthy of attention.

#米哈伊尔·罗姆 的第一册选集在“导演技能问题”（Вопросы режиссерского мастерства）的章节中引用了#萨尔蒂科夫_谢德林 的《塔什干的老爷们》，不过恐怕没有中译。

Shchedrin, like Tolstoy, in all the literature created by mankind over the millennia, stand as very special huge blocks. No other country, no other nation could produce such people. Above all, it is the people.

When I think of Shchedrin, it is almost incomprehensible to me how he withstood this fire of venomous thought, how he lived with this naked, wounded soul, which gave birth to a fierce, stunningly unusual word. Shchedrin's word is a great phenomenon that is incomprehensible to people who do not know the Russian language. Reading Shchedrin, any of his works, I feel admiration, almost physical pleasure and continually make for myself astonishing discoveries. And yet Shchedrin had no influence on my work. It never even occurred to me to screen him or at least read him before the next script. I'm almost afraid to read it while working. If you read Shchedrin, all your ideas become flat, and your hand won't take up the pen.

https://litresp.ru/chitat/ru/%D0%A0/romm-mihail-iljich/kino-v-sisteme-iskusstv

知名托粉#米哈伊尔·罗姆 同时也是#萨尔蒂科夫_谢德林 的崇拜者23333

“一方面不能不承认，另一方面必须承认”是俄国作家米·叶·萨尔蒂科夫－谢德林嘲笑自由派在政治上的无原则态度的讽刺性用语，见于他的作品《外省人旅京日记》和《葬礼》。

论“左派”幼稚性和小资产阶级性（1918年5月5日）https://www.marxists.org/chinese/lenin/mia-chinese-lenin-19180505.htm

#列宁 #萨尔蒂科夫_谢德林