A Positive Reaction to Refugees
More than 650 refugees from Iraq, Syria and Turkey arrived in a small regional town in Australia. A series of surveys found residents became even positive towards them over time.
“On average, the greatest change was among people who initially had reservations: those who started out negative became more positive.”
The Conversation: https://theconversation.com/more-than-650-refugees-arrived-in-this-regional-town-locals-welcoming-attitudes-flipped-the-stereotype-202140
#SocialPsychology
#SocialScience
@socialpsych
#Refugees
#Stereotyping
#IntergroupContact
#intergroupcontact #Stereotyping #refugees #socialscience #socialpsychology
https://archive.org/details/kw-ny
Kara Walker—No, Kara Walker—Yes, Kara Walker—? by Howardena Pindell; Najjar Abdul Musawwir; Camille Billops; Betty Blayton Taylor; Camille Ann Brewer; Kirsten Pai Buick; Gregory Coates; Bob Dillworth; Gloria Dulan-Wilson; Cay Fatina; Theodore A. Harris; Sonji Hunt; Rashidi Ismaili; F. Geoffrey Johnson; Ben Jones; Charlotte Ka; Karsten Kredel; Howard McCalebb; Dindga McCannon; Tad Mike; Helen Evans Ramsaran; Senghor Reid; Gilda Snowden; Ed Spriggs; Harry J. Weil; Clarence D. White; Shirley Woodson
Topics
#KaraWalker, #artcriticism, #critique, #art, #Blackart, #Blackartists, #Blackartcritics, #Blackartcriticism, #africanamerikanart, #afroamerikanart, #primitivism, #antiblackness, #minstrelry, #stereotyping, #arthistory, #artindustry, #artmarket
Introduction: Kara Walker—No/Yes/?
SECTION I: KARA WALKER—NO!
• I-XXIX
SECTION II: KARA WALKER—YES
• XXX-XXXI
SECTION III: KARA WALKER—?
• XXXII
XXIII. APPENDIX
About the Authors
#KaraWalker #artcriticism #critique #art #blackart #blackartists #Blackartcritics #Blackartcriticism #africanamerikanart #afroamerikanart #primitivism #antiblackness #minstrelry #Stereotyping #arthistory #artindustry #artmarket