@impermanen_ @ebrandom
these are the things to which we are tethered the cords of the #Biogea, the Human, and the State. "The clamor of things or the background noise of the world," is a material cord or vocal cord. each of the three is its own orchestral body.
this is the first mention of cords

these are the things to which we are tethered the cords of the #Biogea, the Human, and the State. "The clamor of things or the background noise of the world," is a material cord or vocal cord. each of the three is its own orchestral body

i am beginning a series of toots taken from Michel Serres "Biogea," the book from which i have learned to think about our #Biogea, our #BiogeanSocialism,

@impermanen_ @ebrandom i didn't say bondage. Serres speaks or cords in #Biogea. perhaps i will do a series of posts from Biogea.

@lvgaldieri fully aware sounds like a special woke. there is a way or at least a field across which we might consider the ethical nature of our projects and associations. #Biogea

@sz_duras yes. it's a great political effort. again, for us the #Biogea is a wonderful counsel

@sz_duras eliminate politics
totally ground economic to #Biogea
and subdue philosophy with the arts

the green new deal was neither a step towards nor even a recognition of the horizon #Biogea
https://lvgaldieri.com/2023/01/19/whos-still-talking-about-a-green-new-deal/#like-6832

@sz_duras
not sure about christian conception but the others produced useful tools we used to shape our systems. climate change heralds our arrival and #Biogea becomes horizon

@AndrewMurphie ---- #biogea - MS: This is exactly what I argue in Biogée [Biogea, 2012]. The book is a call to listen to what is said both by living beings and the planet. It means letting the planet speak. ... nice interview here https://www.artforum.com/print/201307/michel-serres-interviewed-by-paul-galvez-42638