Emily Clayton interviewed by Elizaveta Shneyderman:

"Emily Clayton’s practice of joining autobiography with a critique of the ideological formation of a given milieu uniquely examines how images inform the nuances of a locality’s culture. Such is the case with her new exhibition, Hydra, which turns rural and blue-collar histories—among many other material psychologies—into an evocation."

#EmilyClayton #BombMagazine #Art #ArtHistory #Paintings #Graphics #Red #Women

https://bombmagazine.org/articles/scenes-and-scenarios-emily-clayton-interviewed?fbclid=IwAR0wbQeq-Z6XNLEV1yfbFHTtItiBVFlpc3wiIH44_ZBc2rJrPF5dOw_L6jo

Old and New Discoveries: Baldwin Lee Interviewed by Mark Steinmetz

Photographing Black Southern life.

"Baldwin Lee, now seventy-one, grew up in the insular enclave of New York City’s Chinatown and, fulfilling his parents’ expectations, went to MIT in the late 1960s to study science and technology."

#BaldwinLee #Magazine #BlackMastodon #BlackTwitter #Art #Humanities #BlackFedi #Photograph #BombMagazine #AfricanAmerican #Photographers #Camera #MarkSteinmetz

https://bombmagazine.org/articles/old-and-new-discoveries-baldwin-lee-interviewed/

Carrie Moyer by Bruce Pearson

A studio visit with the abstract painter where she reflects on past and present work and on resisting the conventions of late modernism.

"I’ve followed New York painter Carrie Moyer’s work for a couple of decades, and it’s been exciting to see her ongoing experimentations with paint, different textures, techniques, and references." Bruce Pearson

https://bombmagazine.org/articles/carrie-moyer

#BombMagazine #Art #ArtHiistory #FineArt #CarrieMoyer #BrucePearson #Magazine #Humanities

An Oral History with McArthur Binion by Judy Pfaff

"Like I’ve said, I'm really happy for all the young Black kids—it's something like a mafia made up of ninety-nine percent of the Black kids who all went to Yale’s graduate painting school. (laughter) You know what I'm saying?."

#BombMagazine #McArthurBinion #JudyPfaff #BlackMastadon #BlackTwitter #BlackFediverse #AfricanAmerican #ArtHistory #Humanities #OralHistory

https://bombmagazine.org/articles/an-oral-history-with-mcarthur-binion/?fbclid=IwAR0kVvBmzd5s1EtxS_VmCOSQ7_5d76nTtYTMoQrIQqXGxqL4yPJSUOkvwnw

Strange publishing landscape, where Bomb mag's list of "small press" books includes selections from presses funded by the Koch family and a Chinese conglomerate. But I guess if a US press isn't owned by the Big 5 it magically becomes a small press, with all the aura that term confers? https://bombmagazine.org/articles/2022-small-press-gift-guide/ #smallpress #corporatepublishing #Grrrr #bombmagazine

Bomb Magazine: OHP Excerpt: Folayemi Wilson by Ayanah Moor

"In a preview of her forthcoming Oral History, artist, designer, and academic Folayemi Wilson uses an Afrofuturist framework to explore Black vernacular architectures and Black imagination as a strategy of resistance and self-determination."

#FolayemiWilson #AyanahMoor #BombMagazine #BlackMastodon #BlackWomenArtists #BlackFedi #WomenArtists

https://bombmagazine.org/articles/ohp-excerpt-folayemi-wilson/

Bomb Magazine: OHP Excerpt: Folayemi Wilson by Ayanah Moor

"In a preview of her forthcoming Oral History, artist, designer, and academic Folayemi Wilson uses an Afrofuturist framework to explore Black vernacular architectures and Black imagination as a strategy of resistance and self-determination."

#FolayemiWilson #AyanahMoor #BombMagazine #BlackMastodon #BlackWomenArtists #BlackFedi #WomenArtists

https://bombmagazine.org/articles/ohp-excerpt-folayemi-wilson/

Bomb Magazine: OHP Excerpt: Folayemi Wilson by Ayanah Moor

"In a preview of her forthcoming Oral History, artist, designer, and academic Folayemi Wilson uses an Afrofuturist framework to explore Black vernacular architectures and Black imagination as a strategy of resistance and self-determination."

https://bombmagazine.org/articles/ohp-excerpt-folayemi-wilson/

#FolayemiWilson #AyanahMoor #BombMagazine #BlackMastodon #BlackWomenArtists #BlackFedi #WomenArtists