Cinema Alfieri in via Martiri del Popolo.
Cinema Alfieri on Martiri del Popolo Street.
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#CinemaAlfieri #ViaMartiridelPopolo #HistoricCinema #MovieTheater #CinemaHistory #CityLandmarks #CityHeritage #CityArchitecture #NostalgicCinema #VintageTheater #FilmCulture #FilmHistory #MovieNostalgia #MovieMagic #CityEntertainment #CityLife #CityCulture #CityScenery #CityVibes #CityCharm #CityPhotography #CityLiving #CityLandmarks #CityAdventure #CityWanderers #CityExplorers #CityTreasures #CityWonders

🎬 #AlejandroGonzálezIñárritu directed two of my all-time favorite films: "21 Grams" and "Amores Perros."

In this 26:00 clip, he talks about his process, collabortating with actors and how he made his most iconic films, including "The Renevent" "Birdman" and "Biutiful."

via #GQ

#Movies #Film #Directing #BTS #CreativeProcess #CinemaHistory

https://youtu.be/BUzhuYTADoM

#introduction
Hi, I'm a young independent filmmaker chasing silver-screen dreams from Dhaka, Bangladesh 🇧🇩

Have been jaded with the direction of Film & Art over the past decade. Hopefully Mastodon is an attempt at a fresh start at creating a space for thoughtful, sincere film.

I'll be using using this to connect with other artists and support my own films from time to time.

Cinema isn't dead yet.

#cinema #cinemastodon #letterboxd #filmmaker #filmmaking #cinemahistory #cinéma

Market Street in SF was once home to some of the country's most extravagant marquee and cinema neon signs. Now, @TenderloinMuseumSF is bringing that history to their museum, 398 Eddy St, on May 2nd from 5:30-7:30pm for a special feature - Market Street Movie Marquees Neon Nirvana

#TLMuseum #NeonNirvana #SanFranciscoHistory #CommunityHistory #Neon #NeonSigns #HistoryTours #CinemaHistory #UrbanHistory #TenderloinSF #TheTenderloin #tenderloin #ILTW

#OnThisDay, 13 Apr 1933 Ruth Bryan Owen is appointed US ambassador to Denmark.

As well as being the first woman to be appointed as a US Ambassador, she had been the first woman elected to Congress by the state of Florida in 1928. Earlier in the 1920s she had been one of a number of women directing films in the silent era.

#WomenInHistory #Histodons #AmericanHistory #Cinemahistory #ReclaimTheFrame #WomenInPolitics

This week 1923, the Fountain Cinema opened on James's Street, Dublin. Its first programme included Jim the Penman (US: Whitman Bennett, 1921), with Lionel Barrymore, and Married Life (US: Sennett, 1920), with Ben Turpin. Images: Evening Herald and IMDb. #EarlyIrishCinema1923 #LionelBarrymore #BenTurpin #CinemaHistory #SilentFilm

This week 1923, Belgian-born Irish cinema pioneer Louis De Clercq delivered the paper "Projecting Machines" to the Irish Cinema and Amusements Guild, showing early projection equipment and discussing dangers of fire. Image: Freeman's Journal. #EarlyIrishCinema1923 #CinemaHistory

On 18 February 1923, Nenagh's Ormond Picture Palace was showing Perjury (US: Fox, 1921), starring William Farnum, but warned - or is it reassured? - patrons that "performances will not start until after church devotions." Images: Nenagh Guardian and IMDb. #EarlyIrishCinema1923 #Nenagh #CinemaHistory #SilentFilm

On 17 February 1923, Derry's Picture Palace was showing The Song of Life (US: Mayer, 1922), an "outcry against divorce" starring Grace Darmond. "As an exposition of domestic discontent results, it is an original conception." Images: Derry People and IMDb. #EarlyIrishCinema1923 #Derry #SilentFilm #CinemaHistory

"As for the film 'fans' themselves - they are easily discovered in a crowd. An up-turned head, strained eyes, and a readiness to grasp a neighbouring arm are infallible signs of a haunter of picture palaces!" #EarlyIrishCinema1923 #FilmAudience #CinemaHistory

Citroën advertised that it had an ad for its cars running at Belfast's Imperial Picture House this week 1923. The Imperial's ad focused on horses rather than cars, in the races of The Scarlet Lady (UK: Hopson, 1922). Images: Belfast News-Letter & Bioscope. #EarlyIrishCinema1923 #Citroën #TheScarletLady #Belfast #CinemaHistory #SilentFilm

On 14 February 1923, the management of Dublin's soon-to-open Fountain Picture House placed a teaser ad in the Evening Herald headed "City Film Offices Raided To-Day," probably a reference to the arson attack that destroyed Pathé's Dublin office the previous week. #EarlyIrishCinema1923 #IrishCivilWar #CinemaHistory

On 14 February 1923, Magner's Theatre, Clonmel offered diver scam Below the Surface (US: Ince, 1920) but more heavily advertised the upcoming Prizma Color Great Fire of London feature The Glorious Adventure (UK: Blackton, 1922). The push for The Glorious Adventure included a full column ad. The publicity image of Victor McLaglen might have done the job more effectively. Images: Nationalist and IMDb. #EarlyIrishCinema1923 #Clonmel #VictorMcLaglen #CinemaHistory #SilentFilm

In the Irish Independent this week 1923, dedicated cinemagoer R.J. Purcell suggested some improvements to cinema, including the hope that closeups would follow the demise of poorly synched sound effects. "A tear as big as a potato fails to awaken the desired response in a damp climate like ours." #EarlyIrishCinema1923 #CinemaHistory

On 10 February 1923, Dublin's Stella, Rathmines offered The Card (UK: Ideal, 1922), starring Laddie Cliff, and the Larry Semon comedy The Bell Hop (US: Semon, 1921), accompanied by Terry O'Connor's orchestra. Images: Irish Independent, Bioscope & IMDb. #EarlyIrishCinema1923 #Rathmines #LarrySemon #LiveAccompaniment #SilentFilm #CinemaHistory

On 6 February 1923, Nenagh's Ormond Picture Palace offered Jeanne of the Marshes (AKA Behind Masks; US: Famous Players-Lasky, 1921) featuring "wonderful diving of Dorothy Dalton into a storm-tossed sea." Images: Nenagh Guardian and IMDb. #EarlyIrishCinema1923 #Nenagh #CinemaHistory #SilentFilm

On 5 February 1923, Longford's Cinema was showing "something extra good": The Swamp (US: Hayakawa, 1921), based on a story of big-city poverty by its leading man Sessue Hayakawa. Images: Longford Leader and IMDb. #EarlyIrishCinema1923 #Longford #SessueHayakawa #CinemaHistory #SilentFilm

#OTD 1923, Meath Chronicle carried the full story of how the film Man-Woman-Marriage (US: Holubar, 1921) rescued from a Civil War arson attack on a train at Drumree on 24 January had been shown at the Navan Picture Palace the following night. #EarlyIrishCinema1923 #Navan #IrishCivilWar #SilentFilm #CinemaHistory

"The treatment of the interior is in simple classical style of the Doric order...No expense has been spared on the seats, furnishings and other appointments... Noteworthy is the arrangement of opening wall panels concealing windows, operated by automatic gear." Image: Irish Times. #EarlyIrishCinema1923 #Stella #Rathmines #CinemaHistory

On 29 January 1923, Dublin's Stella Cinema, opened in Rathmines, featuring The Imperfect Lover (UK: Broadwest, 1921), starring Violet Hopson and Stewart Rome. Violinist Terry O'Connor led the orchestra. Images: Evening Herald, Archiseek & Freeman's Journal. #EarlyIrishCinema1923 #Stella #Rathmines #CinemaHistory