Hans Haacke: Photo-Electric Viewer-Programmed Coordinate System, 1968. 14 infrared projectors, 14 photoelectronic cells, 28 white light bulbs. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.1. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #hanshaacke #thomasdreher #artandtechnology #kineticart #cyberneticart #lightinstallation #lightart #lightartist #lightartists #installationart #installationartist #installationartists
#installationartists #installationartist #installationart #lightartists #lightartist #lightart #lightinstallation #cyberneticart #kineticart #artandtechnology #thomasdreher #hanshaacke
Hans Haacke: Photo-Electric Viewer-Programmed Coordinate System, 1968. 14 infrared projectors, 14 photoelectronic cells, 28 white light bulbs. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.1. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #hanshaacke #thomasdreher #artandtechnology #kineticart #cyberneticart #lightinstallation #lightart #lightartist #lightartists #installationart #installationartist #installationartists
#installationartists #installationartist #installationart #lightartists #lightartist #lightart #lightinstallation #cyberneticart #kineticart #artandtechnology #thomasdreher #hanshaacke
Harold Hurrell (Art & Language): Left: Fluidic Device, 1968. Right: The Cybernetic Art Work that Nobody Broke, 1969. More Informations: Dreher, Thomas: Conceptual Art and Software Art, chapter III.2. Internet: http://iasl.uni-muenchen.de/links/NAKSe.html #artandlanguage #conceptualart #conceptualartists #conceptart #conceptartist #conceptualartwork #conceptualartist #conceptartists #softwareart #softwareartwork #artandtechnology #cyberneticart #kineticart #kineticartwork #KineticArtworks #haroldhurrell #thomasdreher
#thomasdreher #haroldhurrell #kineticartworks #kineticartwork #kineticart #cyberneticart #artandtechnology #softwareartwork #softwareart #conceptartists #conceptualartist #conceptualartwork #conceptartist #conceptart #conceptualartists #conceptualart #artandlanguage
Pask, Gordon: Colloquy
of Mobiles, 1968 (installed at “Cybernetic Serendipity”, Institute of Contemporary Art, London 1968). More informations: Dreher, Thomas: Cybernetics and the Pioneers of Computer Art. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Kybernetike.html #gordonpask #computerart #computerartist #computerartists #cybernetics #cyberneticart #cyberneticartists #cybernetartworks #installationart #installationartists #installationartist #responsiveenvironments #responsiveenvironment
#responsiveenvironment #responsiveenvironments #installationartist #installationartists #installationart #cybernetartworks #cyberneticartists #cyberneticart #cybernetics #computerartists #computerartist #computerart #gordonpask
Pask, Gordon: Musicolour, Boltons Theatre Club, South Kensington 1954.
Left: Stage with a projection screen for Musicolour.
Right: Moon-Music, playbill.
More informations: Dreher, Thomas: Cybernetics and the Pioneers of Computer Art. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Kybernetike.html #gordonpask #computerart #computerartist #computerartists #cybernetics #cyberneticart #cyberneticartists #cybernetartworks #installationart #installationartists #installationartist
#installationartist #installationartists #installationart #cybernetartworks #cyberneticartists #cyberneticart #cybernetics #computerartists #computerartist #computerart #gordonpask