Half of the localisation done. Note to self: use less #puns, #WordPlays, #DoubleMeanings and #StupidJokes when writing the next game. Makes it easier in the post-post-production, if you don't have to spend time wondering the origins of the jokes you've written in the style of a silly tv-series you happened to watch nearly three years ago. Don't even remember anything about the show, just my own, stupid, out-of-the-context jokes. #differance

Look, if you remove the constitutive difference between sugar and cane sugar from your kitchen's discourse, storing sugar outputs artsy aesthetics - if your perception rewrites these sweetening semantics into its own ontological frame of mediated affordance.

Now it is a landscape, or at least something to toot about and say: maybe that's all you need to know about #différance and #deconstruction. But probly not.

One of my favourite books is #RaymondQueneau's #Oulipo classic sonnet generator. I don't actually read it, because the aesthetical value of the book is the book itself, its cybernetic, magerial form and its user interface. Everytime I get lost with why and what I'm writing, I return to this and start dabbling with the pages. Writing and reading is an #embodied and enactic exercise. It's about #differance and #time, where writers communicate with readers through time. Book is a time machine.