Ihnatowicz, Edward: The Senster, 1970, in Evoluon, Eindhoven/Netherlands. More informations: Dreher, Thomas: History of Computer Art, chapter II.3.2.2. Internet: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #edwardihnatowicz #Ihnatowicz #computerart #cineticart #interactiveart #digitalart #digitalartist #cyberneticsculpture #cineticartist #cineticartwork #kineticart #kineticartwork #interactiveartist #cineticartwork #cineticartworks #computerartist #digitalartwork #installationart #senster #thomasdreher
#thomasdreher #senster #installationart #digitalartwork #computerartist #cineticartworks #interactiveartist #kineticartwork #kineticart #cineticartwork #cineticartist #cyberneticsculpture #digitalartist #DigitalArt #interactiveart #cineticart #computerart #ihnatowicz #edwardihnatowicz
Harold Hurrell (Art & Language): Left: Fluidic Device, 1968. Right: The Cybernetic Art Work that Nobody Broke, 1969. More Informations: Dreher, Thomas: Conceptual Art and Software Art, chapter III.2. Internet: http://iasl.uni-muenchen.de/links/NAKSe.html #artandlanguage #conceptualart #conceptualartists #conceptart #conceptartist #conceptualartwork #conceptualartist #conceptartists #softwareart #softwareartwork #artandtechnology #cyberneticart #kineticart #kineticartwork #KineticArtworks #haroldhurrell #thomasdreher
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Nicolas Schöffer: Light play on the facade of the Palais de Congrès (left) and Tour Spatiodynamique Cybernétique (right), Liège 1961. More informations: Dreher, Thomas: Lichtraum - Kunstraum - Stadtraum. In: Artefactum, No.50/Dec. 1993, p.30. Internet: https://dreher.netzliteratur.net/4_Lichtraum.pdf #nicolasschoeffer #nicolasschöffer #kineticart #kineticartwork #lightart #lightartist #kineticartworks #kineticartists #kineticartist #electronicart #electronicarts #intermediaart #intermediarts #thomasdreher
#thomasdreher #intermediarts #intermediaart #electronicarts #electronicart #kineticartist #kineticartists #kineticartworks #lightartist #lightart #kineticartwork #kineticart #nicolasschoffer #nicolasschoeffer