Harold Hurrell (Art & Language): Left: Fluidic Device, 1968. Right: The Cybernetic Art Work that Nobody Broke, 1969. More Informations: Dreher, Thomas: Conceptual Art and Software Art, chapter III.2. Internet: http://iasl.uni-muenchen.de/links/NAKSe.html #artandlanguage #conceptualart #conceptualartists #conceptart #conceptartist #conceptualartwork #conceptualartist #conceptartists #softwareart #softwareartwork #artandtechnology #cyberneticart #kineticart #kineticartwork #KineticArtworks #haroldhurrell #thomasdreher
#thomasdreher #haroldhurrell #kineticartworks #kineticartwork #kineticart #cyberneticart #artandtechnology #softwareartwork #softwareart #conceptartists #conceptualartist #conceptualartwork #conceptartist #conceptart #conceptualartists #conceptualart #artandlanguage
Nicolas Schöffer: Light play on the facade of the Palais de Congrès (left) and Tour Spatiodynamique Cybernétique (right), Liège 1961. More informations: Dreher, Thomas: Lichtraum - Kunstraum - Stadtraum. In: Artefactum, No.50/Dec. 1993, p.30. Internet: https://dreher.netzliteratur.net/4_Lichtraum.pdf #nicolasschoeffer #nicolasschöffer #kineticart #kineticartwork #lightart #lightartist #kineticartworks #kineticartists #kineticartist #electronicart #electronicarts #intermediaart #intermediarts #thomasdreher
#thomasdreher #intermediarts #intermediaart #electronicarts #electronicart #kineticartist #kineticartists #kineticartworks #lightartist #lightart #kineticartwork #kineticart #nicolasschoffer #nicolasschoeffer