Footnotes on page 199 in chapter 7 of #MarysaDemoor‘s book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements", Springer Nature / Palgrave, 2022-03-21.
Why didn't Marysa Demoor specify her source? It's my article “Nose is a Nose is a Nose” in the “#KnightLetter”, № 99, Fall 2017, p. 30~31.
Details: https://snrk.de/mudscapes-and-artistic-entanglements/
#MarcusGheeraertsTheElder #HenryHoliday #TheHuntingOfTheSnark #WilliamSidneyMount #BenjaminDuchenne
#TheHuntingOfTheSnark #marysademoor #KnightLetter #HenryHoliday #williamsidneymount #benjaminduchenne #MarcusGheeraertsTheElder
The first printing of my own comparison between an illustration by #HenryHoliday to #LewisCaroll's #TheHuntingOfTheSnark and the "Image Breakers" by #MarcusGheeraertsThe Elder occurred in 2017.
DeMoor perhaps found it in https://en.wikipedia.org/w/index.php?title=Henry_Holiday&oldid=929444271#cite_note-14. But she didn't specify any source.
Below are the images which Prof. #MarysaDemoor is using in her book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" (2022) in her comparison
#marysademoor #HenryHoliday #lewiscaroll #TheHuntingOfTheSnark #marcusgheeraertsthe
@snark -- Henry Holiday’s references to Gheeraerts are also mentioned (without specifying a source) in Marysa Demoor’s article "Een culturele brexit? Grotesk!" (2022-05-07, https://www.standaard.be/cnt/dmf20220505_95919388) in the Belgian "De Standaard" (@destandaard@birdsite.wilde.cloud and @destandaard@birdbots.leptonics.com).
-> https://snrk.de/mudscapes-and-artistic-entanglements/#DeStandaard
#MarysaDemoor #DeStandaard #HenryHoliday #MarcusGheeraertsTheElder
#marysademoor #destandaard #HenryHoliday #MarcusGheeraertsTheElder
Below you see probably the first reference in academia to my #Snark findings: "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" by #MarysaDemoor, Springer Nature, 2022-03-21.
Prof. Deemor used my findings without specifying her source.
#TheHuntingOfTheSnark #LewisCarroll #HenryHoliday #MarcusGheeraerts #MarcusGheeraertsTheElder #BelgianHistory #BritishHistory #CrossCultural #SpringerNature #ReligSnark
(Image from https://snrk.de/wp-content/uploads/2022/10/MarysaDemoor202203_OCR.pdf)
#religsnark #springernature #crosscultural #britishhistory #belgianhistory #MarcusGheeraertsTheElder #MarcusGheeraerts #HenryHoliday #lewiscarroll #TheHuntingOfTheSnark #marysademoor #snark
This perhaps is the first reference in academia to my #Snark findings: "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" by #MarysaDemoor, Springer Nature, 2022-03-21.
Very strangely, Prof. Deemor did not specify her source.
#TheHuntingOfTheSnark #LewisCarroll #HenryHoliday #MarcusGheeraerts #MarcusGheeraertsTheElder #LiteraryFantastic #BelgianHistory #BritishHistory #CrossCultural #SpringerNature
(Image from https://snrk.de/wp-content/uploads/2022/10/MarysaDemoor202203_OCR.pdf)
#springernature #crosscultural #britishhistory #belgianhistory #literaryfantastic #MarcusGheeraertsTheElder #MarcusGheeraerts #HenryHoliday #lewiscarroll #TheHuntingOfTheSnark #marysademoor #snark