【Maude Fealy】（Photo by Geoffrey Spaulding, 1909）

這張該怎麼說呢
(1) 回來畫畫以來最快的一張，十幾分鐘吧
(2) 回來畫畫以來畫得最像照片的一張，自然地用出了面部結構比例來畫
(3) 回來畫畫以來第一次開頭就不削鉛筆作畫

大家可以看出影響：
(1) 草率感
(2) 拘束感
(3) 線條的鈍感

一、二點我認為可以是觀者喜好問題
潦草可以視為感情與特徵
畫得像不像模特可以是選擇

但第三點很嚴重
大量使用線條描畫，線條不能不俐落
俐落需要粗細收放，鈍筆會讓線條糊掉
若我需要特別利用這個特點就不論
可是我只是畫很單純的東西

看我平常的東西可以知道我從哪裡開始下筆
線條糊掉的地方就是鈍掉了又不削鉛筆
說完才知道自己懶鬼，我今後會改！

這張其實也有重要的地方
我慢慢把藝用解剖學變成身體記憶了
創作變得更加可控，
也代表繪畫成果的驚喜感漸漸消失

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#草圖筆 #鉛筆
#drawing #sketch
#portrait #人像
#illustration #插畫
#MaudeFealy #GeoffreySpaulding

#BeautifulLady
#MaudeFealy

#BeautifulLady
#MaudeFealy
“As for cheerfulness, it’s the greatest tonic in the world. It makes one breathe well and deeply and helps one’s complexion, and a good complexion helps one’s appearance. The appearance is an asset in making friends, and having friends helps success. And while success doesn’t always bring happiness, it certainly goes a long way.”
~ Maude Fealy

#BeautifulLady
#MaudeFealy
“I never lose my temper, because I hate scenes and I hate wasting time. Moreover I can’t bear to hurt anyone’s feelings.”
~ Maude Fealy

#4marzo

A Memphis è #NataOggi nel 1883 l'attrice #MaudeFealy diva degli anni 10 riprese a recitare in piccoli ruoli dagli anni '30 fino al 1958

📷 by Lizzie Caswall Smith, 1900-02