I spent a very satisfying hour or so with Totes Meer [= ‘Dead Sea’] by Paul Nash in Tate Britain earlier: https://www.tate.org.uk/art/artworks/nash-totes-meer-dead-sea-n05717
It was another reminder that - for me at least - the right amount of time to spend with a good painting is ‘longer’.
New blog post:
Sussex Landscape: Chalk, Wood, and Water (short exhibition review)
https://www.lazaruscorporation.co.uk/blogs/artists-notebook/posts/sussex-landscape-chalk-wood-and-water
#exhibition #Sussex #Chichester #PaulNash #EricRavilious #WilliamBlake #blog
#exhibition #sussex #chichester #paulnash #ericravilious #williamblake #blog
More winter, more greys, more subtle spectra of cold days and slick streets. These are the days best for thinking.
RT @TateArtBot@twitter.com
Paul Nash, London: Winter Scene, No. 2, 1940 #tatemuseum #paulnash http://www.tate.org.uk/art/artworks/nash-london-winter-scene-no-2-n05129
🐦🔗: https://twitter.com/TateArtBot/status/1619343677867835392
RT @ArtistPaulNash@twitter.com
Wood on the Downs, 1929 #cubism #paulnash https://www.wikiart.org/en/paul-nash/wood-on-the-downs-1929
🐦🔗: https://twitter.com/ArtistPaulNash/status/1616461774965948416
Paul Nash
Circle of the Monoliths, 1938.
#paulnash #monoliths #standingstones
RT @ArtistPaulNash
Wire, 1919 #expressionism #paulnash https://www.wikiart.org/en/paul-nash/wire