Jasper Johns: Arrive/Depart, 1963-64. Oil on canvas. Pinakothek der Moderne, Munich. © VG Bild-Kunst, Bonn 2016. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #jasperjohns #thomasdreher #popart #popartists #popartist #popartwork #popartworks #popartpainting #popartpaintings #pinakothekdermoderne #pinakothekdermodernemünchen #pinakothekmodern #pinakothekmunich
#pinakothekmunich #pinakothekmodern #pinakothekdermodernemunchen #PinakothekderModerne #popartpaintings #popartpainting #popartworks #popartwork #popartist #popartists #popart #thomasdreher #JasperJohns
Claes Oldenburg: Store Days I, 1962. Ray Gun Theater, East 2nd Street, New York. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p.109-111. PDF: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00108.html #claesoldenburg #thomasdreher #popart #popartists #popartist #popartwork #performanceart #performanceartwork #performanceartist #performanceartists #happenings #happening #rayguntheater #raygun #oldenburgraygun
#oldenburgraygun #raygun #rayguntheater #happening #happenings #performanceartists #performanceartist #performanceartwork #performanceart #popartwork #popartist #popartists #popart #thomasdreher #ClaesOldenburg