@liosillon @jazz nice! Will make it part of my late night listening. And good to see someone use the #raag hashtag!
Remastering Anubhab Khamaru's #khayal #singing voice on #progjazz Ô-liostére piece https://soundcloud.com/oliostere/101-personnes-sans-personne-mais-avec-anubhab-khamaru/s-hlzITNE4HHG
Sources: https://www.youtube.com/watch?v=L_L2JGt0iQg + https://oliostere.bandcamp.com/track/100-personnes
#raga #raag #jazz #progrock #progrock #prog #11beats #indianclassical #jazzfusion @jazz #raaga #yaman
#khayal #singing #progjazz #raga #raag #jazz #progrock #prog #11beats #indianclassical #jazzfusion #raaga #yaman
#TBT a day late. Last year we celebrated the 59th birthday of #DebashishBhattacharya with this project. It's one of his compositions, a "garland of ragas" for students, where all 11 #raag families are played. Apart from playing it, the other challenge for me was to take all 17 videos from the students, mix the audio, and sync everything. Diverse frame and sampling rates, metronome speeds, and file formats made for some work!
https://www.youtube.com/watch?v=Yq0jLzFzQUU
#raga #hindustanimusic slideguitar #india
#tbt #debashishbhattacharya #raag #raga #hindustanimusic #India
Sunday #raga. An extraordinary live performance of #raag #Bhimpalasi. This has been in my regular listening rotation since it first showed up on YouTube.
https://youtube.com/playlist?list=PLRE-vfAxwtXNPMb1U406EDx3LZZacYWNS
#raga #raag #bhimpalasi #sundaymusic #mastomusic #hindustanimusic
I studied #Hindustani #tala for a few years with Maya Misra, widow of Pt Ramesh Misra. Tala (or taal) is the system of counting beat cycles using the various sounds (bols) that a tabla makes. A few years ago I presented a lecture on the most basic taals. Each tala has a characteristic set of bols (called the theka). After you learn the theka, you practice accelerating how many bols are on a beat.
#HindustaniMusic #raag #raga #musiclessons #percussion #rhythm #drums
#hindustani #tala #hindustanimusic #raag #raga #musiclessons #percussion #rhythm #drums
A #raag for the #monsoons. Raag Miyan ki Malhar is based on Kafi thaat (Dorian mode in Western terminology). The ascending scale is 7 1 4 2 5 b7 b6 7 1. Descending is 1 b7 5 4 5 b3 4 2 1.
#raga #HindustaniMusic #SlideGuitar #SteelGuitar #dobro #tabla #DebashishBhattacharya
#raag #monsoons #raga #hindustanimusic #slideguitar #steelguitar #dobro #tabla #debashishbhattacharya
Great interview in the Amsterdam press with my friend and teacher, Pandit #DebashishBhattacharya . Discussing his innovative guitar designs and upcoming performances.
#SlideGuitar #dobro #SteelGuitar #HindustaniMusic #raag #raga
#debashishbhattacharya #slideguitar #dobro #steelguitar #hindustanimusic #raag #raga
Indian culture has a day where teachers are honored. Happy #GuruPurnima to all those who pass on their knowledge and expertise to humble students.
Here’s my wonderful teacher.
#hindustanimusic #raga #raag #slideguitar #gurupurnima
Last week we had days of unrelenting rain here in NC. nothing like the #monsoons in India, of course, but here a monsoon #raga anyway 😉.
Here is my friend and teacher #DebashishBhattacharya with a short version of #Raag Megh (cloud). Pentatonic scale of 1 2 4 5 b7
#monsoons #raga #debashishbhattacharya #raag #mastomusic #hindustanimusic #slideguitar
Indian musician and vocal coach, Mr. AV Peace, employs a really creative method in his teaching. He draws out these intricate maps to help visualize notes and sounds. They’re quite mesmerizing.
You can watch more of “the one who draws music on paper” on his Instagram:
https://www.instagram.com/musicriyaaz
#Music #Teaching #Vocalist #Singing #Indian #Raag #Bhimpalasi #Raga #Hindustani #Visualization
#visualization #Hindustani #raga #bhimpalasi #raag #indian #singing #vocalist #teaching #music
Back to the regular scheduling of me learning #Raag #Yaman on the #esraj. I found this beautiful rendition of Sri Guru Charana Padma in Raag Kalyan-Yaman, so for evening use https://www.youtube.com/watch?v=MRynb9irZdQ
Nice review of the album I helped produce this past fall featuring Pt #DebashishBhattacharya and Pt #SwapanChaudhuri.
#slideguitar #hindustanimusic #raag #raga #tabla #steelguitar
#debashishbhattacharya #swapanchaudhuri #slideguitar #hindustanimusic #raag #raga #tabla #steelguitar
Nice interview with #DebashishBhattacharya produced by his label #AbstractLogix. Talks about his musical heritage, his relationship with #johnmclaughlin, and his latest recording.
#raag #raga #Hindustanimusic #SlideGuitar #SteelGuitar #dobro
#debashishbhattacharya #abstractlogix #johnmclaughlin #raag #raga #hindustanimusic #slideguitar #steelguitar #dobro
I’m presently learning #raag Komal Rishab Asavari (flat 2nd minor), so am listening to various performances. Here’s a lovely version on #sarangi.
It’s based on #bhairavi thaat (Phrygian mode)
The ascending scale is 1 b2 b3 4 5 b6 1’, while descending is
1’ b7 b6 5 4 b3 b2 1
#raag #sarangi #bhairavi #mastomusic #raga #hindustanimusic
Forgot to honor the 101st anniversary of the birth of #AliAkbarKhan, the great master of #sarod. Westerners are probably most familiar with him from the great performance with #RaviShankar at the #ConcertForBangladesh. KhanSahib was a genius in his own right. I have been surprised to hear from several Indian musicians I know that they consider him superior to Ravi Shankar.
Here’s a stunning performance with #SwapanChaudhuri on #tabla
https://youtu.be/_znXkV13VBI
#aliakbarkhan #sarod #ravishankar #concertforbangladesh #swapanchaudhuri #tabla #raga #raag #hindustanimusic
A snippet of my lesson with #DebashishBhattacharya. He’s teaching an #alap in #raag Komal Rishab Asavari. I like using the #intonia app to double check the shape of the alankar (ornamentation) and gliding.
#debashishbhattacharya #alap #raag #intonia
Early morning transcribing yesterday’s lesson with #DebashishBhattacharya. #hindustanimusic is traditionally taught orally. The guru sings the lines, the student plays them back. This is a new #raga for me—#Raag Komal Nishab Asavari—meaning flat (komal), second (nishab), minor scale (asavari). Same as western Phrygian mode except the 3rd and 7th are always skipped when ascending. Written in the Sargam—Sa Re Ga Ma Pa Dha Ni. I use an old lab notebook to write things out. :-)
#debashishbhattacharya #hindustanimusic #raga #raag
My latest project. I know a little html but wasn't familiar with Squarespace. After a few weeks I had enough of the basics to put this together from scratch. Always happy to hear comments or suggestions.
https://www.debashishbhattacharya.com/
#worldmusic #slideguitar #dobro #steelguitar #raga #raag #HindustaniMusic
#worldmusic #slideguitar #dobro #steelguitar #raga #raag #hindustanimusic
Wednesday Morning #Raga. A monumental #raag #Bhimpalasi from #DebashishBhattacharya on #Hindustani #SlideGuitar. The #alap is on my regular rotation.
Bhimpalasi is based on Kafi thaat (Dorian in western terms) but the ascending line does not include the second or 6th degree. Descending lines can include all 7 pitches.
Ṉ̣ S G̱ M P Ṉ Ṡ, so minor 7th, root, minor 3rd, 4th, 5th, minor 7th, root.
https://youtube.com/playlist?list=PLRE-vfAxwtXNPMb1U406EDx3LZZacYWNS
#raga #raag #bhimpalasi #debashishbhattacharya #hindustani #slideguitar #alap #mastomusic #dobro #steelguitar
Some #raga music for a Friday. The Drut (fast) section of #raag #Bagashree with Pt. #DebashishBhattacharya on #SlideGuitar and Pt. #SwapanChaudhuri on #tabla. This is the title track from Debashish's new record. This version of Bagashree is a bit deceptive in that it sounds like Khamaj (mixolydian), but because of where the tonic is it's actually in Kafi (Dorian) thaat. The ascending scale is
D F G B C D'. Descending is
D' C B A G F E D.
https://youtu.be/VVsZv3NaGH8
#raga #raag #bagashree #debashishbhattacharya #slideguitar #swapanchaudhuri #tabla #mastomusic #hindustani