Yep!
It was sequenced on an #AtariSTFM using #SequencerOne by #GajitsSoftware who used to be based in Manchester, iirc.
The software came on a free floppy with #STFormat.
:pensive_party_blob:
#stformat #gajitssoftware #sequencerone #ataristfm
Yup, I unfortunately switched to PC sequencing after that album and the timing was atrocious compared to the #AtariST.
The sequencer I used as #Gajits #SequencerOne which I got free on the front of #STFormat magazine. On a floppy, of course!
#stformat #sequencerone #gajits #atarist
@mjgardner AHA, found links:
https://en.wikipedia.org/wiki/Gajits_Music_Software
And this is the actual sequencer:
#sequencerone #gajitssoftware #stformatmagazine #atarist
@mjgardner Yes! It was #SequencerOne b #GajitsSoftware from, I think, Manchester (UK)? I couldn't afford any commercial sequencers sooo... that's what I used for all the MIDI elements.
And you know the awful thing? I got out my ST and old disks and the MIDI timing is STILL BETTER than any modern DAW with their shitty jitter.
It makes me sad. All I want is modern sequencer that can actually play in time, dammit.
@wyvern Hahah - I think people sort of liked it but the critics back then really didn’t. Otoh, if someone bought WIT expecting 11 more Your Womans, they would have been sorely disappointed.
And, yep, 90% of the album was sequenced on my #Atari520STFM using #Gadjits #SequencerOne which came FREE on the front of #STFormat magazine. :-D
#atari520stfm #gadjits #sequencerone #stformat