Donald Judd: Untitled (plan for a sculpture), 1964. Pencil, felt-tip pen (in black), paper (ivory). Staatsgalerie Stuttgart. © Judd Foundation/ VG Bild-Kunst, Bonn 2017. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.267-269. Internet: http://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #donaldjudd #thomasdreher #drawing #minimalart #minimalsculpture #progressionsculptures #progressionartwork #serialart #serialartist #sixtiesart # #nyart
#nyart #sixtiesart #serialartist #serialart #progressionartwork #progressionsculptures #minimalsculpture #minimalart #Drawing #thomasdreher #donaldjudd
Mel Bochner: Theory of Painting, 1970. Blue spray paint on newspaper on floor, vinyl letters on wall. Size determined by installation. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1991, p. 229-244, ill.11. https://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #melbochner #conceptart #conceptartists #conceptartist #serialart #serialartist #serialartwork #installationart #installationartist #conceptualart #conceptualartist #thomasdreher
#thomasdreher #conceptualartist #conceptualart #installationartist #installationart #serialartwork #serialartist #serialart #conceptartist #conceptartists #conceptart #melbochner