Turn Amaryllis, to thy swain: Thomas Brewer's setting of a song from James Shirley's play, Love Tricks, or The School of Complement, c1625.
From Catch that catch can (John Playford, 1667)
https://www.youtube.com/watch?v=P-1P2KLQ9BY&ab_channel=Passamezzo
#earlymusic #earlymodern #earlymoderndrama #playhousesong #theatresong #histodon #histodons @earlymusic @earlymodern #pastoral @histodons @histodon #acapella #partsong #17thCentury #17thCenturymusic
#earlymusic #earlymodern #earlymoderndrama #playhousesong #theatresong #histodon #histodons #pastoral #acapella #partsong #17thcentury #17thCenturyMusic
There was an invisible #fox.
A #song from James Shirley's #play, The Bird in a Cage, 1633, set as a #round by John Hilton.
From Catch that catch can, 1667
https://www.youtube.com/watch?v=0H6G_nXGHds&ab_channel=Passamezzo
#earlymusic @earlymusic @earlymodern #earlymodern #17thCentury #goose #geese #theatresong #JamesShirley #JohnHilton #histodon #histodons @histodon @histodons #earlymoderndrama #seventeenthcentury #acapella #singers
#fox #song #play #round #earlymusic #earlymodern #17thcentury #goose #geese #theatresong #jamesshirley #johnhilton #histodon #histodons #earlymoderndrama #seventeenthcentury #acapella #singers