"Charming and increasingly weird," Mika Rottenberg & Mahyad Tousi's REMOTE "exposes our place in an occasionally buggy universe that is beyond human comprehension – if perhaps not connection." 8.30pm tonight at #ThePrinceCharlesCinema for #SciFiLondon.
Capsule for #SciFiNow https://www.scifinow.co.uk/reviews/remote-review-near-future-sci-fi-at-the-2023-sci-fi-london-festival/

"it all comes with the dissociative, dislocating feel of a drawn-out dream": Neil Breen's green-screened allegory CADE: THE TORTURED CROSSING has its second screening for #SciFiLondon, 8.45pm at #ThePrinceCharlesCinema. Capsule for #SciFiNow https://www.scifinow.co.uk/reviews/sci-fi-london-retrofuturist-sci-fi-illegal-experiments-and-robots-in-day-two-of-sci-fi-festival/

The tense, surreal, frustrating police procedural of Bong Joon-ho's MEMORIES OF MURDER (2003) shows a parochial nation stumbling and bumbling its way into modernity. Highly recommended. Screens 5.45pm today at #ThePrinceCharlesCinema https://projectedfigures.com/2018/02/04/memories-murder-2003

Day 4, SCI-FI-LONDON Film Festival:

3.30pm #ThePrinceCharlesCinema: Johnny Barnard's WINTERTIDE

6.15pm #ThePrinceCharlesCinema: Raúl Cerezo & Fernando Gonzalez Gomez's THE ELDERLY

9pm #PicturehouseCentral: (my festival pick) Søren Peter Langkjær Bojsen's THE GREAT GLITCH/CHILDREN OF PARADISE

Capsules for #SciFiNow
https://www.scifinow.co.uk/reviews/freak-infestations-strange-elders-and-diseased-strays-in-day-four-of-sci-fi-london

Day 3, SCI-FI-LONDON Film Festival:
Keith John Adams' OZMA, 5.45pm #ThePrinceCharlesCinema

Serpil Altın's ONCE UPON A TIME IN THE FUTURE: 2121, 8.30pm #PicturehouseCentral

Janet Grillo's THE WARM SEASON, 8.30pm #TheGardenCinema

Capsules for SciFiNow
https://www.scifinow.co.uk/reviews/sci-fi-london-day-three-future-set-fairytale-a-shape-shifting-jellyfish-and-aliens/

Luis Buñuel's surreal class satire THE DISCREET CHARM OF THE BOURGEOISIE (1972) serves up "something deliciously funny, but bitter in its aftertaste." Screens 3.30pm at #ThePrinceCharlesCinema (London). Full review for #LittleWhiteLies https://lwlies.com/articles/the-discreet-charm-of-the-bourgeoisie/

Mel(anchol)odrama: 2046, Wong Kar-wai's sequel to IN THE MOOD FOR LOVE, is an exquisitely crafted elegy for Hong Kong's future past.
Screens 6.15pm at #ThePrinceCharlesCinema https://projectedfigures.com/2016/02/11/2046-2004/

Luis Buñuel's surreal class satire THE DISCREET CHARM OF THE BOURGEOISIE (1972) serves up "something deliciously funny, but bitter in its aftertaste." Screens 3.30pm at #ThePrinceCharlesCinema. Full review for #LittleWhiteLies https://lwlies.com/articles/the-discreet-charm-of-the-bourgeoisie/

Beauty fades: Tony Scott’s erotic horror THE HUNGER (1983) "uses its surface style to conceal and eventually reveal the decay and rot beneath". Screens 1pm at #ThePrinceCharlesCinema https://projectedfigures.com/2022/10/15/the-hunger-1983

Bad Art: catch an epic double dose of Damien Leone's official clown business from 8.45pm at #ThePrinceCharlesCinema tonight.
TERRIFIER (2016)
https://projectedfigures.com/2018/03/31/frightfest-halloween-all-dayer-2017/#terrifier2
and TERRIFIER 2 (2022) https://vodzilla.co/reviews/vod-film-review-terrifier-2-2022/

"Kevin's inverted adventures are uncanny, oneiric and utterly unnerving": Kyle Edward Ball's mesmerising experiment SKINAMARINK (2022) is "pure and primal child's-eye horror".
Whatever this is, it is not like other films.
Has a week's run at #ThePrinceCharlesCinema (London), starting 6.20pm this evening. Review for #LittleWhiteLies
#Horror #Children #Night #House https://lwlies.com/reviews/skinamarink/

"Kevin's inverted adventures are uncanny, oneiric and utterly unnerving": Kyle Edward Ball's mesmerisingly experimental SKINAMARINK (2022) is "pure and primal child's-eye horror". Coming to #ThePrinceCharlesCinema from 13 Jan. Review for #LittleWhiteLies
#Horror #Child #House #Night
https://lwlies.com/reviews/skinamarink/

Just entering #HongKongCinemaHeaven with a double bill of INFERNAL AFFAIRS & INFERNAL AFFAIRS II at #ThePrinceCharlesCinema