The Hindu :press: · @the_hindu
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Pt. Swapan Chaudhuri has created a large fan base across the globe with his understated and elegant style of playing the tabla. @ShailajaKhanna writes for about the artiste’s yearly visit to India, when he performs to packed houses.
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The Hindu :press: · @the_hindu
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This year also marks the birth centenary of the legendary K.V. Narayanaswamy or KVN, as he was best known. N C Srinivasaraghavan
writes for about a remembrance event that was held recently at Bharatiya Vidya Bhavan.
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The Hindu :press: · @the_hindu
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Listening to the music concert , where seven young women artistes presented compositions on Kshetra Dharmasthala, felt like going on a pilgrimage, writes H Ramakrishnan for .
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A new chapter of the association of Bharatanatyam dancers (ABHAI) was launched recently during ‘Pravaha’, a festival that focused on the art form, writes Akhila Krishnamurti for .
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The Hindu :press: · @the_hindu
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With the inimitable composer turning 80 recently, @kolappan writes for about how the maestro’s music continues to strike a chord with his die-hard fans.
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The Hindu :press: · @the_hindu
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On his birth centenary, Suganthy Krishnamachari writes about T.M. Soundararajan for . She writes about how songs carefully crafted for MGR and sung by TMS, were political statements, and more!
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The Hindu :press: · @the_hindu
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Karl Lutchmayer’s recent talk raised many important and interesting issues such as what is “valid” music in the 21st century, and how music and musicians in India, hitherto sidelined, can be reinstated, writes Malini White for .
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The Hindu :press: · @the_hindu
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The Tata Theatre at the National Centre of Performing Arts (), Mumbai, was packed with people, who had come to celebrate Pt. Kumar Gandharva’s birth centenary. Manjari Sinha writes about the event for .
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The Hindu :press: · @the_hindu
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Conforming to the classical tradition, Baby Sriram offered an aural treat at her recent concert for Arunachala Ramana Sangeetha Sabha at Arkay Convention Centre, writes H Ramakrishnan for .
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The Hindu :press: · @the_hindu
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Sriranjani Santhanagopalan’s vocal concert, as part of Hamsadhwani founder R. Ramachandran’s birth centenary celebrations, brimmed with energy, writes G Swaminathan for .
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With the need for conversations around plurality and inclusivity are at the forefront of socio-political debate, contemporary dance should now become a practice of response and resistance, write Madhusree Basu and Padmini Chettur for .
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The Hindu :press: · @the_hindu
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Described as India’s ‘greenest music festival’, moves to Mumbai and New Delhi, besides Bengaluru. Instead of multiple performers, it will feature only one act, writes Narendra Kusnur for .
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The Hindu :press: · @the_hindu
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The annual Festival, held recently, wasn’t just about stellar performances by artistes, who have carefully honed their craft, writes Charumathi Supraja for .
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The Hindu :press: · @the_hindu
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For most of us the mention of , brings to mind the images of Dilip Kumar and Shahrukh Khan, but Sarat Chandra Chattopadhyay’s classic novella has now been adapted for the stage as a musical, takes a look backstage.
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The Hindu :press: · @the_hindu
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Vinyl is now an expensive hobby. Which is why when someone gifts away a collection, people grab it. @subhajrao writes for about how there’s a huge resurgence in the interest for LP records with music lovers curating their own collection.
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The Hindu :press: · @the_hindu
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Sajan Sankaran explores the festival for , where performances, workshops, installations & dialogues are geared at invoking & facilitating a collaborative, sustainable approach to engaging with technology and the environment.
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Today’s , and are all in a way standing on the shoulders of . S.S. Vasan was undoubtedly the pioneer, and his film deserves to be remembered just for that, writes @MadrasMobile for .
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