Gerhard Merz: Dove Sta Memoria, 1986. Installation in four rooms of the Kunstverein München/Munich. More informations: Dreher, Thomas: Kunst und Geschichte: Bundesrepublikanische Kunst und deutsches Nationalbewußtsein. In: Artefactum, Nr.32/February – March 1990, p.6-9. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Kunst_und_Geschichte.pdf#gerhardmerz #thomasdreher #installationart #ezrapound #eightiesart #artforartssake #contextart #abstractartist
#abstractartist #contextart #artforartssake #eightiesart #ezrapound #installationart #thomasdreher
Scott Draves: Electric Sheep, 1999. Internet-connected personal computers, screensaver (with updates until today). Screenshots 2011-2012. More informations: Dreher, Thomas: History of Computer Art, chapter IV.3.3 Fractal Flames. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.3e.html #scottdraves #thomasdreher #evolutionaryart #generativeart #generativeartist #computerart #netart #screensaver #screensaverart #screensaverartwork #digitalart #digitalartist #digitalartists #computerart #computerartist
#computerartist #digitalartists #digitalartist #DigitalArt #screensaverartwork #screensaverart #screensaver #netart #computerart #generativeartist #generativeart #evolutionaryart #thomasdreher #scottdraves
Allan Kaprow: 18 Happenings in Six Parts, 1959. Performance with Sam Francis, Red Grooms, Dick Higgins, Alfred Leslie, Robert Rauschenberg, Lucas Samaras, George Segal, Robert Whitman a.o. Reuben Gallery, New York. More informations: Dreher, Thomas: Performance Art seit 1945. Alktionstheater und Intermedia, Munich 2001, p.91-93,431. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00090.html #allankaprow #samfrancis #robertrauschenberg #georgesegal #robertwhitman #redgrooms #dickhiggins #thomasdreher #performanceart
#performanceart #thomasdreher #dickhiggins #redgrooms #robertwhitman #GeorgeSegal #robertrauschenberg #samfrancis #allankaprow
Art & Language (Terry Atkinson, Michael Baldwin): Map of a thirty-six square mile surface area of the Pacific Ocean west of Oahu, 1967. Linotype on paper. Edition: 50. More informations: Dreher, Thomas: Art & Language (UK) 1966-72: Maps and Models, chapter II.1 Mapping. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartists #conceptualart #conceptartworks #mapping #mapart #mapartwork #mapartworks #sixtiesart #sixtiesartwork
#sixtiesartwork #sixtiesart #mapartworks #mapartwork #mapart #mapping #conceptartworks #conceptualart #conceptartists #conceptart #thomasdreher #terryatkinson #michaelbaldwin #artandlanguage
Stan Vanderbeek: Violence Sonata, 1970. TV-transmission: WGBH, Boston, channel 2 and 44. More informations: Dreher, Thomas: History of Computer Art, chapter IV.1.1. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #stanvanderbeek #thomasdreher #videocultures #tvart #tvartist #participationtv #electronicimageprocessing #broadcastart #tvexperiment #broadcastexperiment #filmavantgarde #filmexperiments #destructionart #pianodestruction #sevebtiesart -experimentalart #multimediaart #intermediaart
#intermediaart #MultimediaArt #sevebtiesart #pianodestruction #destructionart #filmexperiments #filmavantgarde #broadcastexperiment #tvexperiment #broadcastart #electronicimageprocessing #participationtv #tvartist #tvart #videocultures #thomasdreher #stanvanderbeek
Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang3.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork
#printartwork #printart #artsixties #sixtiesart #conceptualartwork #conceptualartist #conceptualart #conceptartwork #conceptartist #conceptart #thomasdreher #terryatkinson #michaelbaldwin #artandlanguage
Peter Foldes: Hunger/La Faim, 1974. Computer animated film. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.3 The Seventies. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #peterfoldes #thomasdreher #filmanimation #digitalanimation #linearinterpolation #nestorburtnyk #MarcelliWein #cartoonfilm #stroketostrokemapping #intermediateimage #experimentalfilm #computeranimation
#computeranimation #experimentalfilm #intermediateimage #stroketostrokemapping #cartoonfilm #marcelliwein #nestorburtnyk #linearinterpolation #digitalanimation #filmanimation #thomasdreher #peterfoldes
Vito Acconci: Corrections, 1970. Performance with video closed-circuit. Museum of Conceptual Art, San Francisco. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p. 347-349. PDF: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00346.html #vitoacconci #thomasdreher #performanceart #performanceartist #performanceartists #performanceartwork #performanceartworks #performancearts #videoclosedcircuit #closedcircuit #performanceclosedcircuit #museumofconceptualart #bodyart
#bodyart #museumofconceptualart #performanceclosedcircuit #closedcircuit #videoclosedcircuit #performancearts #performanceartworks #performanceartwork #performanceartists #performanceartist #performanceart #thomasdreher #vitoacconci
Jasper Johns: Arrive/Depart, 1963-64. Oil on canvas. Pinakothek der Moderne, Munich. © VG Bild-Kunst, Bonn 2016. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #jasperjohns #thomasdreher #popart #popartists #popartist #popartwork #popartworks #popartpainting #popartpaintings #pinakothekdermoderne #pinakothekdermodernemünchen #pinakothekmodern #pinakothekmunich
#pinakothekmunich #pinakothekmodern #pinakothekdermodernemunchen #PinakothekderModerne #popartpaintings #popartpainting #popartworks #popartwork #popartist #popartists #popart #thomasdreher #JasperJohns
Robert Rauschenberg: Factum I and Factum II, 1957. Combine paintings: oil paint, ink, pencil, crayons, paper, fabric, newspaper, pictorial prints, and printed paper on canvas. Left: Museum of Contemporary Art, Los Angeles. Right: Museum of Modern Art, New York. Photo: Rocor. Creative Commons BY-NC 2.0. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #robertrauschenberg #thomasdreher #popart #popartist #collageart #combinepainting #rauschenberg
#rauschenberg #combinepainting #collageart #popartist #popart #thomasdreher #robertrauschenberg
Counts Media: Yellow Arrows, New York a.o., since September 2004. Web, geotagging, mobile communications, markers in situ. More informations: Dreher, Thomas: Participation with Camera: From Video Cameras to Camera Phones, chapter Interactive Urban Experience. Internet: http://iasl.uni-muenchen.de/links/NAPKe.html #countsmedia #yellowarrow #newyorkart #newyorkartists #newyorkartproject #locativemedia #locativemediaart #netart #netarts #thomasdreher
#thomasdreher #netarts #netart #locativemediaart #locativemedia #newyorkartproject #newyorkartists #newyorkart #yellowarrow #countsmedia
John Cage: Untitled Event/Theatre Piece No.1, 1952. Performance. Black Mountain College, Asheville/North Carolina. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia, Munich 2001, p.57f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00056.html #johncage #thomasdreher #robertrauschenberg #franzkline #mercecunningham #davidtudor #charlesolson #jaywatt #marycarolinerichards #timlafarge #nicholascernovich #performanceart #blackmountaincollege #intermediaart #multimediahappening
#multimediahappening #intermediaart #blackmountaincollege #performanceart #nicholascernovich #timlafarge #marycarolinerichards #jaywatt #charlesolson #davidtudor #mercecunningham #franzkline #robertrauschenberg #thomasdreher #JohnCage
Ashley, Robert: Perfect Lives, 1983. Video opera, visualised by John Sanborn and Dean Winkler, music by "Blue" Gene Tyranny. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.2 Music Videos. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #robertashley #johnsanborn #deanwinkler #thomasdreher #genetyranny #videoopera #musicclip #musicclips #computeranimation #digitalanimation #musicvideo #musicvideos #computerart #computerartists #digitalart #digitalartist #computerartist
#computerartist #digitalartist #DigitalArt #computerartists #computerart #musicvideos #musicvideo #digitalanimation #computeranimation #musicclips #musicclip #videoopera #genetyranny #thomasdreher #deanwinkler #johnsanborn #robertashley
Computer Graphics of Georg Nees and Frieder Nake compared to DeStijl and Serial Art. More informations: Dreher, Thomas: Cybernetics and the Pioneers of Computer Art, chapter Computer Graphics. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Kybernetike.html #pietmondrian #pietmondriaan #theovandoesburg #georgnees #friedernake #richardpaullohse #karlgerstner #destijl #concreteart #ConcreteArtists #concreteartist #thomasdreher #abstractart #computergraphics #informationesthetics #maxbense #serialart #modernart #modernartist #
#modernartist #modernart #serialart #maxbense #informationesthetics #computergraphics #abstractart #thomasdreher #concreteartist #concreteartists #concreteart #destijl #karlgerstner #richardpaullohse #friedernake #georgnees #theovandoesburg #pietmondriaan #pietmondrian
Negativland/Maloney, Tim: Gimme the Mermaid, film, 2000/2002. More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.4. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #timmaloney #negativland #thomasdreher #mediaactivism #copyright #copyrightindustry #illegalart #illegalartshow #fairuse #fairuseact #fairusedoctrine #fairusedoctrineartwork
#fairusedoctrineartwork #fairusedoctrine #fairuseact #fairuse #illegalartshow #illegalart #copyrightindustry #Copyright #mediaactivism #thomasdreher #negativland #timmaloney
Jodi: wwwwwwwww.jodi.org, 1995, web project (screenshots 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #jodi #JoanHeemskerk #DirkPaesmans #thomasdreher #netart #netartists #netart #netartproject #newartwork #netartworks #htmlart #internetart #internetartists #internetartwork #internetartworks #belgianart #belgianartist #netherlandishart #netherlandishartist #webart #webartist #WebArtists #webartwork #htmlartwork
#htmlartwork #webartwork #webartists #webartist #webart #netherlandishartist #netherlandishart #belgianartist #belgianart #internetartworks #internetartwork #internetartists #InternetArt #htmlart #netartworks #newartwork #netartproject #netartists #netart #thomasdreher #dirkpaesmans #joanheemskerk #jodi
Claes Oldenburg: Store Days I, 1962. Ray Gun Theater, East 2nd Street, New York. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p.109-111. PDF: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00108.html #claesoldenburg #thomasdreher #popart #popartists #popartist #popartwork #performanceart #performanceartwork #performanceartist #performanceartists #happenings #happening #rayguntheater #raygun #oldenburgraygun
#oldenburgraygun #raygun #rayguntheater #happening #happenings #performanceartists #performanceartist #performanceartwork #performanceart #popartwork #popartist #popartists #popart #thomasdreher #ClaesOldenburg
Max Bill: Einheit aus drei gleichen Volumen/Unit from three equal volumes, 1961-66. Marble. Collection Robert W. Sarnoff, New York. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.267-269. PDF: http://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #maxbill #thomasdreher #abstractart #abstractartist #modernsculpture #modernsculptures #sculpture #concreteart #concreteartist #konkretekunst #konkretekünstler #swissart #swissartist #sixtiesart
#sixtiesart #swissartist #swissart #konkretekunstler #konkretekunst #concreteartist #concreteart #sculpture #modernsculptures #modernsculpture #abstractartist #abstractart #thomasdreher #maxbill
Jasper Johns: Skin with O'Hara Poem, 1963-65. Lithograph on paper. Walker Art Center, Minneapolis. © 2017 Jasper Johns / Licensed by VAGA, New York. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #jasperjohns #frankohara #frankoharapoetry #frankoharapoems #thomasdreher #popart #sixtiesart #sixtiesartwork #lithograph #lithography #lithographyprint #lithographyprints #sixtiesartist #sixtiesartists #lyrics #sixtieslyrics
#sixtieslyrics #lyrics #sixtiesartists #sixtiesartist #lithographyprints #lithographyprint #lithography #lithograph #sixtiesartwork #sixtiesart #popart #thomasdreher #frankoharapoems #frankoharapoetry #frankohara #JasperJohns
John Cage: Water Walk, 1959. Notation for piano, tape, cymbals, 5 radios, water/ice steam, realized by Cage as TV performance. More informations: Dreher, Thomas: John Cage - kommentierte Chronologie. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. of exhib. Staatsgalerie moderner Kunst, Munich 1991, p.234f. PDF: https://dreher.netzliteratur.net/1_Cage_Chronologie.pdf #johncage #thomasdreher #experimentalmusic #chanceoperations #tvperformance #fiftiesmusic #musicasperformance
#musicasperformance #fiftiesmusic #tvperformance #chanceoperations #experimentalmusic #thomasdreher #JohnCage