Vito Acconci: Corrections, 1970. Performance with video closed-circuit. Museum of Conceptual Art, San Francisco. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p. 347-349. PDF: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00346.html #vitoacconci #thomasdreher #performanceart #performanceartist #performanceartists #performanceartwork #performanceartworks #performancearts #videoclosedcircuit #closedcircuit #performanceclosedcircuit #museumofconceptualart #bodyart
#bodyart #museumofconceptualart #performanceclosedcircuit #closedcircuit #videoclosedcircuit #performancearts #performanceartworks #performanceartwork #performanceartists #performanceartist #performanceart #thomasdreher #vitoacconci
Marina Abramovic/Ulay: Imponderabilia, 1977. Galleria d’Arte Moderna, Bologna 1977. Performance with video closed-circuit. More informations: Dreher, Thomas: Performance Art nach 1945. Aktionstheater und Intermedia. Munich 2001, p.370f. PDF: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00369.html #marinaabramovic #ulay #ulayandabramovic #abramovicandulay #thomasdreher #performanceart #performanceartist #performanceartists #performanceartwork #closedcircuit #closedcircuits #videoclosedcircuit #videoclosedcircuits
#videoclosedcircuits #videoclosedcircuit #closedcircuits #closedcircuit #performanceartwork #performanceartists #performanceartist #performanceart #thomasdreher #abramovicandulay #ulayandabramovic #Ulay #MarinaAbramovic
Vito Acconci: Claim, 1971. Performance with closed-circuit. Loft of Willoughby Sharp, New York. Video: Claim Excerpts, 1971, b/w, sound, 62'11''. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p.351f. PDF: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00350.html #vitoacconci #thomasdreher #videoclosedcircuit #videoclosedcircuits #videoperformance #performanceart #performanceartist #performanceartists #performanceartwork #seventiesart #bodyart #bodyartwork
#bodyartwork #bodyart #seventiesart #performanceartwork #performanceartists #performanceartist #performanceart #videoperformance #videoclosedcircuits #videoclosedcircuit #thomasdreher #vitoacconci
Peter Weibel: lmaginärer Würfel (Kalter Kubus)/lmaginary Cube (Cold Cube), 1980. Video closed-circuit installation with two cameras and mixer. More informations: Dreher, Thomas: Peter Weibel. Polykontexturalität in reaktiver Medienkunst. In: Schuler, Romana (ed.): Peter Weibel, Peter. Bildwelten 1982-1996. Vienna 1997, p.36-39. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Weibel.pdf #PeterWeibel #thomasdreher #videoclosedcircuit #videoinstallation #closedcircuit #videoart #videoartist #installationart
#installationart #videoartist #videoart #closedcircuit #Videoinstallation #videoclosedcircuit #thomasdreher #peterweibel
Peter Weibel: lmaginärer Würfel (Kalter Kubus)/lmaginary Cube (Cold Cube), 1980. Video closed-circuit installation with two cameras and mixer. More informations: Dreher, Thomas: Peter Weibel. Polykontexturalität in reaktiver Medienkunst. In: Schuler, Romana (ed.): Peter Weibel, Peter. Bildwelten 1982-1996. Vienna 1997, p.36-39. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Weibel.pdf #PeterWeibel #thomasdreher #videoclosedcircuit #videoinstallation #closedcircuit #videoart #videoartist #installationart
#installationart #videoartist #videoart #closedcircuit #Videoinstallation #videoclosedcircuit #thomasdreher #peterweibel
Jochen Gerz: Purple Cross for Absent Now, 1979. Performance, Centre d'Art Contemporain, Geneve 1979 a.o. More informations: Dreher, Thomas: Performance Art nach 1945. Aktionstheater und Intermedia. Munich 2001, p.358f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00357.html #jochengerz #thomasdreher #performanceart #performanceartist #performanceartists #videoclosedcircuit #closedcircuit #conceptart #conceptartwork #videoinstallation #artseventies #seventiesart #seventiesartwork #artoftheseventies #actionart #bodyart
#bodyart #ActionArt #artoftheseventies #seventiesartwork #seventiesart #artseventies #Videoinstallation #conceptartwork #conceptart #closedcircuit #videoclosedcircuit #performanceartists #performanceartist #performanceart #thomasdreher #jochengerz
Nam June Paik: Participation TV II, 1969/71, Gallery Bonino, New York 1971. Reactive installation with video synthesizer, three cameras and four monitors. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.2 Closed Circuits. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #namjunepaik #thomasdreher #videoclosedcircuit #closedcircuit #reactiveinstallation #videoinstallation #videosynthesizer #videosynthesizers #paikvideo
#paikvideo #videosynthesizers #videosynthesizer #Videoinstallation #reactiveinstallation #closedcircuit #videoclosedcircuit #thomasdreher #NamJunePaik
Nam June Paik: Participation TV II, 1969/71, Gallery Bonino, New York 1971. Reactive installation with video synthesizer, three cameras and four monitors. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.2 Closed Circuits. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #namjunepaik #thomasdreher #videoclosedcircuit #closedcircuit #reactiveinstallation #videoinstallation #videosynthesizer #videosynthesizers #paikvideo
#paikvideo #videosynthesizers #videosynthesizer #Videoinstallation #reactiveinstallation #closedcircuit #videoclosedcircuit #thomasdreher #NamJunePaik
Maurice Benayoun: Watch Out! Send a warning message to the world, Seoul, September-Oktober 2002. More informations: Dreher, Thomas: Sammeltipp 3: Fassaden und Telepräsenz, Teil 1. Internet: http://iasl.uni-muenchen.de/links/TippSammel3.html #mauricebenayoun #installationart #telepresence #videoclosedcircuit #mobileart #thomasdreher
#thomasdreher #mobileart #videoclosedcircuit #telepresence #installationart #mauricebenayoun
Krueger, Myron: Videospace, since 1974. Responsive environment with camera, screen and computer. More informations: Dreher, Thomas: History of Computer Art, Chap. V.I. Internet: http://iasl.uni-muenchen.de/links/GCA-V.1e.html #Myronkrueger #responsiveenvironment #computarart #computerartists #computerartist #computerartwork #videoclosedcircuit #reactiveinstallation
#reactiveinstallation #videoclosedcircuit #computerartwork #computerartist #computerartists #computarart #responsiveenvironment #myronkrueger
Krueger, Myron: Psychic Space, 1971. Responsive environment with sensing grid, camera, screen and computer. More informations: Dreher, Thomas: History of Computer Art, Chap. V.I. Internet: http://iasl.uni-muenchen.de/links/GCA-V.1e.html #Myronkrueger #responsiveenvironment #computarart #computerartists #computerartist #computerartwork #videoclosedcircuit #reactiveinstallation
#reactiveinstallation #videoclosedcircuit #computerartwork #computerartist #computerartists #computarart #responsiveenvironment #myronkrueger