Marina Abramovic/Ulay: Imponderabilia, 1977. Galleria d’Arte Moderna, Bologna 1977. Performance with video closed-circuit. More informations: Dreher, Thomas: Performance Art nach 1945. Aktionstheater und Intermedia. Munich 2001, p.370f. PDF: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00369.html #marinaabramovic #ulay #ulayandabramovic #abramovicandulay #thomasdreher #performanceart #performanceartist #performanceartists #performanceartwork #closedcircuit #closedcircuits #videoclosedcircuit #videoclosedcircuits
#videoclosedcircuits #videoclosedcircuit #closedcircuits #closedcircuit #performanceartwork #performanceartists #performanceartist #performanceart #thomasdreher #abramovicandulay #ulayandabramovic #Ulay #MarinaAbramovic
Vito Acconci: Claim, 1971. Performance with closed-circuit. Loft of Willoughby Sharp, New York. Video: Claim Excerpts, 1971, b/w, sound, 62'11''. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p.351f. PDF: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00350.html #vitoacconci #thomasdreher #videoclosedcircuit #videoclosedcircuits #videoperformance #performanceart #performanceartist #performanceartists #performanceartwork #seventiesart #bodyart #bodyartwork
#bodyartwork #bodyart #seventiesart #performanceartwork #performanceartists #performanceartist #performanceart #videoperformance #videoclosedcircuits #videoclosedcircuit #thomasdreher #vitoacconci
Ulrike Rosenbach: Glauben Sie nicht, daß ich eine Amazone bin/Do not Believe that I am an Amazon, Biennale des Jeunes, Paris 1975 (detail of a montage by Dietlinde Stroh). More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia, Munich 2001, p.354f. PDF: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00353.html #ulrikerosenbach #thomasdreher #performanceart #performanceartist #performanceartists #feministart #feministartist #videoclosedcircuits #seventiesart #seventiesartwork
#seventiesartwork #seventiesart #videoclosedcircuits #feministartist #feministart #performanceartists #performanceartist #performanceart #thomasdreher #ulrikerosenbach
Frank Gillette/Ira Schneider: Wipe Cycle, installation with 9 monitors and a live camera, Howard Wise Gallery, New York 1969. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.2 Closed-Circuits. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #frankgillette #iraschneider #closedcircuit #videoclosedcircuits #videoinstallation #videoart #videoartists #thomasdreher #videosculpture #installationart #installationartists
#installationartists #installationart #videosculpture #thomasdreher #videoartists #videoart #Videoinstallation #videoclosedcircuits #closedcircuit #iraschneider #frankgillette