“When future and past collide: Amelia (1966), the typographic embodiment of the Space Age and sixties futurism, paired with Crayonette (1889), the undulating fantasy cursive from late romanticism, connected by little more than their otherness, i.e. pronounced stroke contrast, with thicker parts in unusual places.” —@fhardwig on the fonts used for the cover of The Seven Gates of Transcendental Consciousness: https://fontsinuse.com/uses/27857/wilburn-burchette-opens-the-seven-gates-of-tr

RIP Master #WilburnBurchette 1939–2023: https://numerogroup.com/blogs/stories/master-wilburn-burchette-1939-2023

Very sad music news out of San Diego that #WilburnBurchette and his brother Kenneth have sadly been found passed on in their shared home. Burchette's early 70s music laid a lot of conceptual groundwork for #NewAgeMusic as such but was very much its own thing, and is worth the seeking out. #music https://masterwilburnburchette.bandcamp.com/music